Vince Taylor

Introduction

Vince Taylor was a pioneering front man from the early days of English rock and roll, fronting The Playboys, during the late 1950s. But it was in France that his career really took off, dressed from head to toe in Black Leather, in the early 1960s.During his career, Taylor recorded many songs but never achieved a best-seller hit. Although,"Brand New Cadillac", a self-penned song, became his most-remembered work which has been covered by many other artists, such as The Clash.
On the brink of becoming a huge international star, he had a break down - joining a religious movement.
Afterwards he fell into obscurity amidst personal problems and drug abuse.He attempted many comebacks during the years until his death.

Biography

Vince Taylor was born Brian Maurice Holden on July 14th 1939 in Isleworth, Middlesex, England.
In 1946, his family immigrated to America and settled in New Jersey where Brian's father took work in a coal mine.

By 1955, his sister married Joe Barbera aka “Joe Singer”, who was claimed by some to have been Joe Barbera of Hanna-Barbera productions, the successful animated cartoon company who had produced Tom & Jerry cartoons. As a result, the Holdens moved to California where Brian attended Hollywood High School and studied radio and weather reports. He eventually took flying lessons at Glendale School and obtained a pilot's license.
In 1957, impressed by the music of Bill Haley, Gene Vincent and Elvis Presley, Brian began to sing at parties, school proms and amateur gigs. Backed by a local band, he started playing for the benefit of the American Legion as well as a few nightclubs along Zummah Beach. Joe Barbera, his brother-in-law, then became his manager.
When Barbera went to London on business he asked Brian to join him to check out the British music scene the following year. American rockers were high in demand in the UK. There he met a lad called Paul Taylor who gave him the address of The 2 I's coffee-bar in Old Compton Street in Soho. In August 1958, Brian went there with Barbera and Hollywood guitarist Bob Frieberg. They approached the members of the main resident band at the 2.I's comprising drummer Tony Meehan, bass player Tex Makins, and guitarist Tony Sheridan to become his backing group,The Play-Boys.
Whilst looking at a packet of Pall Mall cigarettes he noticed the phrase, “In hoc Vince’s”, and Brian very much liked the actor Robert Taylor, thus giving rise to his new stage name of 'Vince Taylor'.

The Playboys made their live debut at the Shepards Bush Gaumont. Then following gigs were few but Vince Taylor soon scored a short-term contract with Parlophone label that released his first single for Parlophone, “I Like Love”coupled with “Right Behind You Baby”, in november 1958. This record was recorded by a new line-up of The Playboys featuring guitarist Tony Harvey, bass player Brian Locking and drummer Brian Bennett who would later replaced Tony Meehan once again in the Shadows.

In December 1958, Vince Taylor, deputized at short notice, at the Regal, Colchester, for Cliff Richard who was suffering from an acute sore throat.

TV Producer Jack Good gave Vince Taylor and his band the opportunity to shine on his new show “Oh Boy” in late 1958 and early 1959 on the same bill as Neville Taylor & The Cutters... Tony Harvey soon left to join Clay Nicholls & his Blue Flames, and to be replaced by pianist Bryan Pugh aka “Lou Brian”,formerly with Colin Hicks & His Cabin Boys. Then Vince Taylor had fallen out with Tony Sheridan, who went on to front the Oh Boy’s resident trio, and replaced him with Joe Moretti, another ex-Cabin Boy. Vince Taylor went berseck after Jack Goode had demanded him to cut his hair or he wouldn't appear on the show anymore.

In February 1959, after these TV appearances, Vince Taylor & The Playboys went on the road in North England along with Johnny Duncan & The Bluegrass Boys, Billy Fury and Jill Day.

In April 1959, Vince Taylor released his second single for Parlophone-Odeon, “Pledgin' My Love” b/w “Brand New Cadillac”. The B-side “Brand New Cadillac” was probably his most-remembered work. It was an original composition, inspired by a lunch in the "Star Restaurant", on Old Compton St, and produced by Norrie Paramor, on which Joe Moretti played lead as he did a year later on Johnny Kidd & The Pirates’ British classic "Shakin' All Over".
Unfortunately they couldn't get any airplay on the B.B.C because of the name "Cadillac".
Parlophone wasn’t satisfied with the immediate results and broke the contract.

In May 1959, with help from his brother in-law, Joe Barbera, Vince Taylor opened up a club in London called “The Top Ten” in Berwick Street, Soho, where the band performed then Rick Hardy, former leader of The Worried Men, became the resident singer.

Soon after, Joe Barbera, who gave Vince Taylor 9 months to clean up and had to support him and the four band members every week during this period, finally returned to California and Vince Taylor & The Playboys parted company. No sooner had the tour finished than Barbera sacked Brian Locking and Brian Bennett, who had defected to Marty Wilde’s Wildcats – replacing Tex Makins and Bobby Woodman. Joe Moretti went on to replace Denny Wright as guitarist with Johnny Duncan's blue grass Boys and Lou Brian reinvented himself as “Perry Ford” then who would later become successful with the Vocal trio The Ivy League, after a stint in the Echoes, and as songwriter (for Adam Faith).

Vince Taylor also got to California for a short stay then return to UK where he had to find a new manager and contacted Tom Littlewood, who became the new manager of the 2i’s Coffee Bar. Taylor first was backed by the former Terry Dene’s sidemen, bass player Brian Gregg and drummer Clem Cattini, both freshly returned from Sweeden. They were often accompanied at The 2i’s by pianists Mike O'Neill or Miki Dallon. But soon after, Gregg and Cattini accepted Larry Parnes’ invitation to become the core of The New Beat Boys, backing his singers on package tours such as “The Big Beat Show” from august 1959. They actually were brought in to replace Makins and Woodman who had just been elbowed from the band after having missed some rehearsals.

Then Vince Taylor went out on a package tour, the “Big Beat Dance Of '59”, from August 21st to September 26th 1959, with Chas McDevitt & Shirley Douglas, both acts backed by Leroy Powell & the Beatniks featuring future Gladiator Tommy Brown on drums. Taylor eventually would recorded a song composed by Chas McDevitt 'Move Over Tiger', for Palette Records, the following year. After that Vince did a deal with Tom Littlewood, who put him out on the road with Keith Kelly and all-purpose backing band held together by Bobby Woodman.

Late September 1959, Woodman teamed up again with Makins and a Lancastrian guitarist called Kenny Fillingham to become the core of a trio backing Vince Taylor for a 3-week tour of Wales and Brighton. They met Fillingham, formerly with the Dominoes from Wigan during their brief stint with Rory Blackwell & the Blackjacks in Islington, London. They persuaded him to let them bleach his hair before he went back to the fold.

Just before this last tour, Vince Taylor had travelled to Southampton and contacted local promoter Reg Calvert who’d booked for the next season. Calvert then recruited a new set of Playboys: guitarist Brian Marshall and bass player John Cobb aka “Johnny Vance”, both from the Portsmouth-based Strollers, teaming up with lead guitarist Geoffrey Gloverwright aka “Buddy Britten” and drummer Johnny Watson, who had just finished a Summer season at Butlin’s holiday camp in Filey, with Clay Nicholls & The Blue Flames alongside Tony Harvey.
The quartet backed Vince Taylor but also Buddy Britten, Britain’s answer to Buddy Holly, for about 5 months. They were The New Playboys as well as The first incarnation of The Buddy Britton Trio.

Reg Calvert put them out on the road as a package show: they opened the show with Buddy Britten singing lead as The Buddy Britton Trio, Brian Marshall came on as “Tony Trent”, and then Vince Taylor would close the show with them, Buddy playing lead.

In January 1960, Brian Marshall, Johnny Vance and Johnny Watson moved to London with Vince Taylor, leaving Buddy Britten to carry on working for Reg Calvert.
They took a residency at The 2i’s Coffee Bar for 3 months until mid March 1960, backing Vince but also Tony Sheridan, Keith Kelly, Lance Fortune among others.
Weekends, they played other venues: mostly Rock’n’Roll Jamboree Dances organised by Rory “Shakes” Blackwell.
After having supported Gene Vincent and Eddie Cochran during their tour of Britain for 4 months,Tony Sheridan would eventually come back to the fold, replacing Brian Marshall, who returned to Portsmouth.
Shortly thereafter, Bobby Woodman took over Johnny Watson on drums and then rolled his mates but also original Playboys’ bass player Tex Makins who was just returned from a Scotland Tour with Vince Eager & His Quiet Three and finally filled in Johnny Vance’s shoes for a short while prior to going on the road once again with Eager.

Vince Taylor & his New Playboys took part of a benefit for the family of the late Eddie Cochran, who had died in a car crash on April 17, 1960.
On April 30, 1960, they appeared on ABC TV's "Wham!" along with Wee Willie Harris and Johnny Kidd & the Pirates featuring former Playboys Joe Moretti, Brian Gregg and Clem Cattini.
In May 1960, they were joined by another original Wildcat and Beat Boy, pianist Alan LeClaire who had begun a vain quest for solo recognition during the last part of 59.

Then Tony Sheridan was hired by keyboardist Iain Hines and went to Hamburg with the Jets, and played the Kaiserkeller Club from June to September 1960. And another original came back to the fold: Tony Harvey, this once playing on lead.

Vince Taylor moved to Palette Records and recorded with the New Set of Playboys “I’ll Be Your Hero” b/w “Jet Black Machine”, which was released on August 19, 1960.
Vince decided to get dressed in black leather from head to toe on stage after he saw a model dressed with, in a winter sports shop window, in London. This was very unusual and caught the eyes. However American Rocker Gene Vincent already used to wear black leather whe he first visited Britain in late ’59.

Vince Taylor's unstable caracter caused several arguments within the band and The Playboys parted company with him and changed their name to "The Bobbie Clarke Noise". During a British Rock Festival at The Olympia, Paris, in July, 1961, he was spotted by Bruno Coquatrix, who contacted French A&R, Eddie Barclay, who signed him to a six-year record deal on his label that issued 5 EP's and one LP from September 1961 to January 1962.
Vince went to all the top parties in Paris as “The black demon of rock”.
During 1961 and 1962, Vince Taylor toured Europe including The French Riviera, Belgium, Spain, and The Netherlands, with Bobbie Clarke's band, renamed “Vince Taylor and his Playboys”.
By the end of 1962, they even were the top of the bill at the Olympia, Paris but shortly thereafter, the off-stage relationship faltered and Taylor played engagements backed by another English band "The Dragons".

Agreements weren't scarse and Vince started to play dressed from head to toe in leather, but white.
In mid 60s, Vince met Bob Dylan, Nico and a few other people from the Acid Rock scene. A mixture of acid, amphetamines and alcohol proved fatal to his mind and he then joined a religious movement. He had a break down - coming on stage and trying to evangelize the audience, he claimed to be the prophet Matthew. But the audience thought that it was part of the shows.
After that, things went downhill for Vince.
In autumn 1969, musicpapers 'Bonjour les Amis' and 'Disco-Revue' started a support campaign for Taylor asking its readers to write in to Barclay's Record Company saying how much they would love to see the rock star make another record. Eddie Barclay, finally convinced, gave a new chance to Vince who recorded again and performed intermittently throughout the following decades.
During his last years, Vince Taylor lived in Lausanne, Switzerland, where he took work as an airplane mechanic.
He died on August 28, 1991 at 52.

The Story Of The Playboys

Part I. An American in London: 1958 - 1959

In August 1958, Brian Holden aka “Vince Taylor” investigated The 2 I's Coffee Bar with his manager Joe Barbera and American guitarist Bob Frieberg. They approached the members of the house band comprising drummer Tony Meehan, bass player Tex Makins, both from The Worried Men, and guitarist Tony Sheridan from the Vince Eager’s Quartet, to become his backing group. The first gig they did was at the Shepards Bush Gaumont on a Saturday.

Tex Makins
“One afternoon Vince Taylor came in looking for a band to back him on a few shows. We said ok we will do them. One show in particular I remember was at the Shepards Bush Gaumont after the Saturday morning picture show. Vince slayed them. When we left the theatre we were chased by a couple of hundred screaming teenage girls - frightening.”

Whilst looking at a packet of Pall Mall cigarettes he noticed the phrase, “In hoc Vince’s”, and Brian liked very much the American movies actor Robert Taylor, thus giving rise to his new stage name of 'Vince Taylor'.

Tony Sheridan
“Joe Singer said that Vince was going to be the biggest thing since Elvis… The only trouble was, he couldn’t sing…”

In September 1958, Tex Makins quickly left, to be replaced by Brian "Licorice" Locking. Next to leave was Bob Frieberg, who couldn’t stand London’s climate and went back home, to California. Tony Harvey from the Spiders was brought in to take over him, then Tony Sheridan eventually switched to lead guitar.
Shortly thereafter, Tony Meehan joined The Vipers and was replaced by Brian Bennett, who had already filled in his shoes in The Worried Men and who would later took over him once again in the Shadows.

Vince At The 2i's Coffee Bar, 1958

The new band backed Vince Taylor at the Hammersmith Odeon. They then became The Playboys – not after the famous magazine but because they always smartly dressed: wearing white shirts, Red Ties, black Trousers and red caps on stage while Vince wore a bright black shirt.
On October 8th 1958, Vince Taylor was mobbed once again at the Gaumont.

Vince on “Oh Boy”

TV Producer Jack Good gave Vince Taylor and his band the opportunity to shine on his new show “Oh Boy”: he made 4 appearances from 20 December 1958 to 10 January 1959. Tony Harvey soon left to join Clay Nicholls & his Blue Flames, and to be replaced by pianist Bryan Pugh aka “Lou Brian”,formerly with Colin Hicks & His Cabin Boys. Then Vince Taylor had fallen out with Tony Sheridan, who went on to front the Oh Boy’s resident trio, and replaced him with Joe Moretti, another ex-Cabin Boy, who had just spent a month in “Mother Goose” backing Vince Eager.

The Playboys featuring Guitar hero Joe Moretti

Joe Moretti
“I first met Vince in January 1959. I had just finished Xmas Pantomime with Vince Eager in Southport & had returned to London to play at the 2 I's. I was actually standing in the 2 I's having a coffee when the guys "Licorice" Locking, Lou Brian & Brian Bennett came in and told me that Tony Sheridan had just quit Vince's band and was I interested in joining the band.
We discussed money etc. and I agreed to join the band. But there was a problem. My wife and I had nowhere to stay. Now, Vince & the guys were sharing an apartment in Knightsbridge, a few miles outside central London, and Vince suggested we go back and stay with them till we got fixed up.”


Vince Taylor had also fallen out with Jack Goode, who wanted him to change his look...
He last appeared on episode #20, aired on January 10th 1959.

Joe Moretti
Jack Goode demanded that Vince cut his hair or he wouldn't appear on the show.Vince went fucking nuts !! " He can shove his show up his ass" he said. We were all very impressed. But eventually,compromise was reached and Vince agreed to to have about a millimeter of hair cut off, and I understand he did do the show. I didn't do the show, because Vince was still plugging "Right behind You Baby." We hadn't recorded " Cadillac" yet. So either Sheridan was with him or he used the house band.


In February 1959, after these TV appearances, Vince Taylor & The Playboys went on the road in North England along with Johnny Duncan & The Bluegrass Boys, Billy Fury and Jill Day.

About that time, Jack Good had hired Brian Bennet and Brian Locking to be Oh Boy’s resident trio, as a result, they had a foot in each camp: on TV with Tony Sheridan and on the road with Vince Taylor
They made 6 appearances from 28 February to 9 May 1959 (episodes #28-#38). During this spell they had become friends with Marty Wilde who would later booked them.

In April 1959, Vince Taylor released his second single for Parlophone-Odeon,“Pledgin' My Love” b/w “Brand New Cadillac”. The B-side “Brand New Cadillac” was probably his most well known song. It was an original composition, inspired by a lunch in the "Star Restaurant", on Old Compton St, and produced by Norrie Paramor, on which Joe Moretti played lead as he did a year later on Johnny Kidd & The Pirates’ British classic "Shakin' All Over".
Unfortunately they couldn't get any airplay on the B.B.C because of the name "Cadillac".
Parlophone wasn’t satisfied with the immediate results and broke the recording contract (they wouldn’t do the same mistake with an unknown liverpuldian quartet 3 years later).

Joe Moretti
“Vince wrote "Cadillac" on a piece of paper on a table in the "Star Restaurant" at the end of Old Compton St. We had graduated from cheese & onions to unimaginable spaghetti and luncheon meat fritters. But there was plenty of it, and it was our one meal a day and Vince is singing " Yea, yea, Baby, Got a Brand New Cadillac," "Nope. that don't work !! "Yeh, the Caddy's Rollin', Rollin' & I'm never comin' back." "Nope. That don't work !" But I think it was only the next day when he turned up with the finished lyrics. Vince wrote "Cadillac" and we recorded it at E.M.I. Abbey Rd. St. John's Wood, London. Norrie Paramor was the Producer. We didn't have much rehearsal and we did it in a couple of takes. Same with "Pledging My Love." Once we had the structure of a song we just blew the hell out of it. But - We had no hype. We couldn't get any airplay because of the names "Cadillac" & "Ford." advertising on the B.B.C was not allowed and they were the main source of airplay.”

On “Brand New Cadillac”, just before the guitar solo, we can hear Vince Taylor calling someone "Scotty":

Joe Moretti
“Vince immediately started calling me "Joey'. It's always used in the U.S for "Joe".Then later he called me "Scotty"… to have an affinity with Scotty Moore, Elvis's guitarist, the name stuck while I was at the 2 I's.”

a few later, Vince Taylor, Pina and Joe Moretti moved into a house in Turnham Green, Near Chiswick, London.

Joe Moretti
“We still didn't have many gigs because " Cadillac " hadn't made it. Zilch airplay. It was big on the Juke Boxes but that was it .Very little publicity,and no sales.
Joe, Vince's manager, had to support himself, Vince, and four band members every week until around June - July when the band split up, a period of 6-7 months. Don't forget that the band was being paid a retainer every week, and although the money wasn't exorbitant, it was a considerable amount…”
“In approximately 6 months we had cut only 2 tracks, done a week's tour and 1 television show.”

In mid May 1959, with help from his brother in law, Joe Barbera, Vince Taylor opened up a club in London called “The Top Ten” in Berwick Street, Soho, where the band performed then Rick Hardy aka “Rick Richards”, former leader of The Worried Men, became the resident singer.

Vince Taylor & The Playboys had a very few gigs and just appeared on BBC Saturday Club (episode #33, aired on May 16th 1959) alongside The Five Dallas Boys; The Ken Jones Five; June Marlow, Matt Monro & The Bill McGuffie Trio…

Soon after, Joe Barbera, who gave Vince Taylor 9 months to clean up, finally returned to California as it became obvious that his protégé was not going to obtain overnight success. And Vince Taylor & The Playboys parted company. No sooner had the tour finished than Barbera sacked Brian Locking and Brian Bennett, who had defected to Marty Wilde’s Wildcats – replacing Tex Makins and Bobby Woodman, left to become Billy Fury’s backing group, the Beat Boys. Joe Moretti went on to replace Denny Wright as guitarist with Johnny Duncan's blue grass Boys and Lou Brian reinvented himself as “Perry Ford” then who would later become successful with the Vocal trio The Ivy League, after a stint in the Echoes, and as songwriter (for Adam Faith).

Joe Moretti
“The split up had to come. The guys were looking for ways to get ahead in the business, and there was a lot of head hunting going on. I was offered the gig with Johnny Duncan's blue grass Boys, a good country band, and the money was good so I told Vince I was quitting. Unfortunately, the bass player, "Licorice" Locking, and the drummer, Brian Bennett quit at the same time, they joined Marty Wilde.”