Part II. An American on The Road: 1959 – 1960


Vince Taylor had to find a new backer and contacted Tom Littlewood, who became the new manager of the 2i’s Coffee Bar. Taylor first was backed by the former Terry Dene’s sidemen, bass player Brian Gregg and drummer Clem Cattini, both freshly returned from Sweden. They were often accompanied at The 2i’s by pianists Mike O'Neill or Miki Dallon. But soon after, Gregg and Cattini accepted Larry Parnes’ invitation to become the core of The New Beat Boys, backing his singers on package tours such as “The Big Beat Show” from august 1959. They actually were brought in as replacement for Makins and Woodman who had just been elbowed from the band after having missed some rehearsals.

Joe Moretti recalls about that time
“I went back to the 2 I's a couple of times… and on the last occasion the manager of the I's asked if I would form a band. He said he could get me plenty of gigs and the money was good. He was also booking Vince's band at the time. So, I ask him what kind of money are we talking and he pulls out this big book of accounts. Fifty, sixty, eighty pounds a night. So, straight away I went to Vince and asked what the guy was paying Him." Thirty pounds a night " He said. I told him the story and that was END of story for me & the 2 I's.”


Then Vince Taylor went out on a package tour, the “Big Beat Dance Of '59”, from August 21st to September 26th 1959, with Chas McDevitt & Shirley Douglas, both acts backed by Leroy Powell & the Beatniks featuring future Gladiators Tommy Brown on drums. They were augmented by Ed Warburton on trombone and Syd Archer on sax to accompany Taylor, who eventually would record a song composed by Chas McDevitt 'Move Over Tiger', for Palette Records, the following year. After that, Vince did a deal with Tom Littlewood, who put him out again on the road this once with Keith Kelly and all-purpose backing band held together by Bobby Woodman, whom he had met at The Pad Club, Berwick Street, Soho, while drumming with the Elisabethan Jazz Band, in early 1959.

Late September 1959, Woodman teamed up again with Makins and a Lancastrian guitarist called Kenny Fillingham to become the core of a trio backing Vince Taylor for a 3-week tour of Wales and Brighton. They met Fillingham during their brief stint with Rory Blackwell & the Blackjacks at the Strava Ballroom in Islington, London. The other Blackjack, recently recruited, was his mate Clive Powell, formerly with the Dominoes from Wigan. Makins and Woodman persuaded the other pair to let them bleach their hair. Although while Fillingham went back to the fold, Powell stayed in London where he eventually would be spotted by Lionel Bart and then Larry Parnes, the pop svengali, who’d renamed him Georgie Fame.

Vince Working For Reg Calvert


Just before this last tour, Vince Taylor had travelled to Southampton and contacted local promoter Reg Calvert who’d booked for the next season. Calvert went to Portsmouth and checked out a local outfit called the Strollers.
He then recruited a new set of Playboys: guitarist Brian Marshall and bass player John Cobb aka “Johnny Vance” who teamed up with lead guitarist Geoffrey Gloverwright aka “Buddy Britten” and drummer Johnny Watson, freshly returned from a Summer season at Butlin’s holiday camp in Filey, with Clay Nicholls & The Blue Flames alongside Tony Harvey. The quartet backed Vince Taylor but also Buddy Britten, Britain’s answer to Buddy Holly, for about 5 months. They were The New Playboys as well as The first incarnation of The Buddy Britton Trio.

Brian Marshall
“About mid 1959, I was singing and playing with THE STROLLERS in Portsmouth,
and we were contacted by Reg Calvert and asked if we would like to back Vince as his band had just split.
Myself and Dave Cobb (Johnny Vance) agreed so we moved to Southampton and met with Johnny Watson ,
Buddy Britton and Vince and that was the new PLAYBOYS line up.”

Reg Calvert put them out on the road as a package show (e.g.Cheltenham Town Hall, on 7/01/1960): they opened the show with Buddy Britten singing lead as The Buddy Britton Trio, Brian Marshall came on as “Tony Trent”, and then Vince Taylor would close the show with them, Buddy playing lead.

Brian Marshall
“We played mostly one nighters around England as a TEENAGE PACKAGE SHOW.Vince sung mostly Elvis at that time plus his own numbers, “Cadillac”. “Pledging My Love”. “Right Behind You Baby” ,which always went down well.”

Back to The 2i's


In January 1960, Brian Marshall, Johnny Vance and Johnny Watson moved to London with Vince Taylor, leaving Buddy Britten to carry on working for Reg Calvert with a new backing band, The Regents.
They took a residency at The 2i’s Coffee Bar for 3 months until mid March 1960, backing Vince but also Tony Sheridan, Keith Kelly, Lance Fortune among others. Rick Hardy aka “Rick Richards” had immortalized some of their appearances there: on a very small stage as Brian recalls – with “JUST ABOUT ROOM FOR 4 OF US.”
Weekends, they played other venues: mostly Rock’n’Roll Jamboree Dances organised by Rory “Shakes” Blackwell, who had disbanded his Blackjacks after their unsuccesful residency at Islington Strava Ballroom in late ‘59.

Brian Marshall
“After 5 months Vince wanted to move back to London so we went with him leaving Buddy to carry on working for Reg.
We were resident backing band at the 2is for about 3 months with TONY SHERIDAN, KIETH KELLY , LANCE FORTUNE...
“AND WE GOT PAID £1 POUND PER NIGHT, NOT ALOT FOR 4 HOURS WORK!!”
Vince performed most nights as well. Weekends we played other venues but we did a few organised by Rory.Shakes. Blackwell.”
While Vince Taylor wore Black Leather like Gene Vincent during his first tour of Europe, the Band had Red Coats, Black Trousers, Black Shirts and Red Ties.
One of the last gigs with Vince Taylor was a package show at Stevenage Town Hall on Saturday 19th March 1960: Johnny Watson performed as “Little Jony” and Brian Marshall as “Eddie Sex” – and as he says “FOR ONE NIGHT ONLY (NEVER LIVED IT DOWN)!!”
As the poster of the show suggest it, both Watson and Marshall started to record some demo’s on their own at that time.

Brian Marshall
“The Demo's we made on our own were done at Pepy's Studio in Berwick Street. The songs we did were DREAM LOVER, YOUR RIGHT I'M LEFT SHE'S GONE ,POOR LITTLE FOOL, and a song that Tony Sheridan wrote which I wrote another verse called I
KNOW BABY.”

While Gene Vincent opened a new tour on April 30, 1960 at Hanley Gaumont, Vince Taylor & his band appeared on ABC TV's "Wham!" along with Wee Willie Harris and Johnny Kidd & the Pirates featuring former Playboys Joe Moretti, Brian Gregg and Clem Cattini who played together on the future British number one hit single “Shakin' All Over” that had been composed in similat circumstances as “Brand New Cadillac”: on a piece of paper on a table in a Soho hang out - The Freight Train in Berwick Street, managed by Chas McDevitt.
In fact, Gregg and Cattini had been elbowed from the Larry Parnes’ Beat Boys as Makins and Woodman had been before them prior to becoming the core of the new Pirates.
However the Playboys rehearsed for the show, Lord Rockingham's XI backed most of the artists that appeared on it.

memories from Brian








After that, they parted company in early May 1960: Johnny Vance stayed with Vince Taylor, Brian Marshall returned to Portsmouth and formed the Nightriders, and Johnny Watson replaced Bert Croms as drummer of the Echoes backing American stars Conway Twitty and Johnny Preston then went to Italy with Wee Willy Harris.

Brian Marshall was brought in The Terry Dene’s Dene Aces as a last-minute replacement for Don Adams alongside Bobby Woodman who would eventually take over Johnny Watson as Playboys’ drummer. Woodman rolled his mates but also original Playboys’ bass player Tex Makins who was just returned from a Scotland Tour with Vince Eager & His Quiet Three and finally filled in Johnny Vance’s shoes for a short while prior to going on the road once again with Vince Eager.

Brian Marshall with Screaming Lord Sutch, 1961


Tex Makins and Bobby Woodman teamed up with another original Playboy,Tony Sheridan,who had supported, with his Trio, Gene Vincent and Eddie Cochran during their tour of Britain from January to April 1960.

In Mid May 1960, Sheridan, Makins and Woodman were joined by another original Marty Wilde’s Wildcat and Billy Fury’s Beat Boy, pianist Alan LeClaire who had begun a vain quest for solo recognition during the last part of 59.

Alan LeClaire
“My first gig with Taylor had Tex, Bobby and Tony Sheridan in the band… 1960… I had worked with Tex and Bobby before but it was the first time with Sheridan. Shortly after that he went to live in Germany..”.

Then Tony Sheridan was hired by keyboardist Iain Hines and went to Hamburg with the Jets, alongside Rick Hardy, in late May and played the Kaiserkeller Club from June 5th to September 1960, settling in Germany for a 3-year stay… And another original came back to the fold: Tony Harvey, this once playing on lead, as he did with Clay Nicholls & The Blue Flames, the previous summer, brought in by Hardy as a replacement for Joe Brown.

Alan LeClaire
“After he [Tony Sheridan] went to Germany, Tony Harvey and sometimes Bob Steele played with Vince… Johnny arrived in London from Portsmouth. He had been working for a promoter called Reg Calvert. He was probably "gigging". Many of us were the same. Gigging means playing for whoever phoned up and often meant working for four or five different bands in the same week…”